Archive for perseus

WRATH OF THE TITANS (2012)

Posted in 2012, 3-D, Cinema Knife Fights, Heroic Warriors, Monsters, Mythological Creatures, Mythology with tags , , , , , , , , on April 2, 2012 by knifefighter

CINEMA KNIFE FIGHT: WRATH OF THE TITANS (2012)
By Michael Arruda and L.L. Soares

(THE SCENE: The fiery cavernous dungeon of Tartarus.  A group of gods sit around a huge dinner table arguing.  MICHAEL ARRUDA & L.L. SOARES make their way around an enormous buffet.  Both men are eagerly filling their plates.)

LS:  Oh boy!  Food fit for the gods!

MA:  It ought to be.  They’re charging us an arm and a leg for this spread! (MA nods towards corner of the room, where a pile of severed arms and legs lie under a sign that reads “All U Can Eat –One Low Price.”)

LS:  Mmm!  Volcanic chicken!  My favorite.  Extra lava sauce for me please! And look – there’s ambrosia for dessert!

MA: Ahh, the food of the gods.

(The gods’ argument suddenly grows louder.)

HADES:  I’m sick of you bossing me around!  You’re not my father!  So stop acting like it!

ZEUS:  But you’re so damned irresponsible!  What do you expect me to do?  I’m looking after your best interests.

HADES:  There you go.  Talking down to me again!  (turns to POSEIDON)  Aren’t you going to weigh in on this?  He bosses you around, too!  Who died and made our brother boss?  (POSEIDON just shrugs)  That’s your problem.  You never take a stand!  You let Zeus walk all over you.  Aren’t you going to say anything?

POSEIDON:  Please pass the fish sticks.

HADES:  I’m sick of this family!

KRONOS:  Shut up, all three of you!  I’m your father, and I say—.

ZEUS:  Put a sock in it, old man.  You lost your credibility years ago when you tried to kill us.

KRONOS:  You’re still holding that against me?

MA (shaking his head):  And human families think they have problems!  Let’s go sit somewhere else.

LS:  Sure.  I prefer dysfunction when I’m the one causing it.

(They move to another table)

MA:  How about we get started on today’s movie?

LS:  Good idea.  You start.  I’ve got to taste this volcanic chicken first.

MA:  I hope you have some antacids handy.

Today we’re reviewing WRATH OF THE TITANS (2012), the sequel to CLASH OF THE TITANS (2010), which was, itself, a remake of the 1981 Ray Harryhausen movie.  As sequels go, WRATH OF THE TITANS isn’t bad, but then again, CLASH OF THE TITANS wasn’t a very good movie, and so it would have been pretty sad had this movie been worse.  I don’t think it is.  I think it’s a little bit better than CLASH.

LS: It is?

MA: Sure. Anyway, several years have passed since the events of CLASH, and our hero Perseus (Sam Worthington) is trying to make a normal life for himself, living as a fisherman while he raises his 10 year-old son, Helius.  He’s a single parent as his wife has died.  What’s a demigod to do?

As much as Perseus would like to live the life of anonymity, he can’t, not when his daddy is Zeus (Liam Neeson).  Zeus drops by for a visit and tells Perseus that things are not looking too good.  People just aren’t praying to the gods anymore, and as a result, the gods’ powers are weakening.  There are dark forces at work, and they are growing stronger.  Zeus wants Perseus’ help, but Perseus isn’t interested.  He just wants to raise his son.

You should have listened to your father, Perseus!  Zeus is captured and held captive by Hades (Ralph Fiennes), god of the underworld, and Ares (Edgar Ramirez), the god of war, who plan to drain Zeus of his power and give it to Big Daddy Kronos.  Kronos is imprisoned in stone because he once tried to kill his three sons, Zeus, Hades, and Poseidon.  Ares himself is Zeus’ son, and he’s angry at his father for favoring Perseus.  Nice family!

LS: It could be worse. I heard the Roman god, Saturn, ate his children!

MA: As evil begins to take over the world, and deadly creatures begin to overrun it, the humans are forced to take a stand, and Perseus once again becomes their leader, teaming with the beautiful Queen Andromeda (Rosamund Pike) and Poseidon’s quirky son Agenor (Toby Kebbell), leading them on a quest to rescue Zeus and once again restore order to the world.

LS: I liked Queen Andromeda. It’s always cool to see a queen who isn’t afraid to lead her army into battle, especially one this hot. As for Agenor, I could have done without him. I thought he was kind of an annoying idiot. I know he’s supposed to be the comic relief here, but I found his character more irritating than humorous.

MA: Yeah, Agenor should have been funnier, or at least more likeable, I’ll agree with you there.

WRATH OF THE TITANS reminded me a little bit of the old Arnold Schwarzenegger CONAN movies.  They weren’t great, but they were fun, and I enjoyed the ride.

(CONAN enters the buffet, carrying an arm and a leg.)

CONAN:  Where do I put these?

MA:  There’s a pile right over there. Just throw them on top.

CONAN (throws arm and leg onto pile):  I love buffets!  (notices gods arguing.)  Any of you gods care to arm wrestle?

HADES:  Shut up, chiseled chest!  Go fill your face before I remove it!

(CONAN’s eyes burn red in anger, and he runs towards table and joins the heated argument.)

MA:  Anyway, WRATH OF THE TITANS is not a great movie, but I can’t say that I didn’t have fun watching it.

LS: I’m glad one of us did.

MA: The main reason I liked this one better than the first one was the pacing.  I remember CLASH OF THE TITANS dragging and taking quite a while to get going.  No problem with that here.  Director Jonathan Liebesman keeps things moving along, with one action sequence after another.  Some of these sequences are impressive, others aren’t.

LS: I didn’t think many of the sequences were very exciting. And I disagree about the pacing. I didn’t think this one was any better than the first one. I mean, things happen, and creatures attack, and Perseus helps fight them off, but none of it did much for me.  And the Minotaur’s snot-covered face was kinda gross.

MA: Yeah, but at least the monsters show up early in this one.  They took a while to make an appearance in CLASH.

My favorite sequence involved the Cyclops.  I thought the Cyclops looked cool, and the scene itself was rather exciting.  Dare I say it, but the Cyclops in this movie looked better than the classic Ray Harryhausen Cyclops from THE 7TH VOYAGE OF SINBAD (1958).

LS: It’s how cyclopses – or is it cyclopi? – are always popular. I’m surprised we don’t see them in more movies. The three cyclopean giants we see here were okay. When the first one appears, it’s kind of cool. But as the scene went on, I was less impressed with them. And while Harryhausen’s stop-motion Cyclops from SINBAD may not look more realistic, I still prefer that one. Even better was the man-eating Cyclops from the Kirk Douglas movie, ULYSSES (1954). I remember that one leaving a big impression on me as a kid.

MA: If that movie was based on Homer’s epic  poem, shouldn’t it have been called ODYSSEUS, rather than ULYSSES?

LS: I always wondered that myself. ULYSSES was the Roman name for ODYSSEUS, after all, not the Homeric name.

(A CYCLOPS rips open the roof and peers inside.)

CYCLOPS:  Buffet!  (Reaches down and helps himself to the pile of arms and legs.  He exits.)

MA:  He didn’t even say thank you.

LS:  He’s a Cyclops, what do you expect? You know they don’t have any manners.

(Cyclops sticks his head back into hole in the roof and sticks his middle finger out at MA & LS, before leaving once again.)

MA:  I wonder if that’s “thank you” in Cyclops language.

LS (sticks both his middle fingers up at the opening in the roof):  That means you’re welcome!

MA:  Actually, I thought all the creatures and monsters looked good in this one, which is another reason I liked it better than CLASH.  The monsters in that one were pretty lame.  Not so here. They actually look pretty scary.

LS: The Gorgon in the first movie looked okay.

MA: I also liked Kronos, Zeus’ father, when we finally see him.  He looks like a volcanic fire monster once he’s unleashed at the end of the movie.  But he doesn’t do a whole lot, which is one of the weaknesses of this movie.  While the creatures all look very good, with the exception of the Cyclops, none of them get to do all that much.

LS: Yeah, this new TITANS movie pretty much follows the same progression as the first movie, leading up to the biggest monster at the end. In CLASH it was the Kraken, in this one it’s the giant lava monster, Kronos. Both looked cool, but neither does very much. I didn’t find WRATH OF THE TITANS to be an improvement on CLASH at all. In fact, they were both pretty mediocre.

MA: In spite of the cool-looking monsters, WRATH OF THE TITANS is hampered by a weak story and characters that aren’t very interesting.  I couldn’t care less about the squabbles of the gods, and Perseus just isn’t that exciting a hero.  What flaws does he have?  Not very many.  And his motivation is to protect his son, which is admirable, but hardly original.  He’s pretty much a superficial character.

Sam Worthington doesn’t do much either to make Perseus a memorable hero.  Worthington is fine in the role, but I kept asking myself, is this the same guy who wowed me in AVATAR (2009) and TERMINATOR: SALVATION (2009)?  He made lasting impressions in those movies. Not so in the two TITANS films.

LS: I completely agree about that, and I think it’s a major flaw with these movies. Perseus is just not a compelling character. I like Worthington as an actor, but not in the TITANS movies. He almost seems to be sleepwalking through these movies. Perseus has like two emotions, and I just don’t believe him as some kind of mighty hero of mankind.

MA: I actually enjoyed Liam Neeson as Zeus this time around, and as much as I didn’t really care for the gods’ storyline, I wouldn’t have minded seeing more of Neeson on screen as Zeus.  He lent a commanding presence here that was definitely noticeable every time he was in a scene.

Ralph Fiennes as the villain Hades, not so much.  I thought Hades was a rather lame villain, which is another weakness of this movie:  blah villains.  Hades and Ares don’t cut it, and Kronos doesn’t show up until the end, and he doesn’t really get to cause that much trouble.  It’s another case of the big bad villain being handled way too easily.

LS: I actually found the interaction between Zeus and Hades to be the most interesting storyline here. Neesom and Fiennes are the best actors in the movie, and I just liked seeing them in scenes together. Although I did think that Zeus changed Hades’ mind a little too easily at one point. And by the end they almost seemed more like lovers than brothers.

MA (laughing):  Yeah, I would agree with that.

I liked Rosamund Pike a lot as Andromeda, and she was one of my favorite characters in the movie.  Good-looking, yet strong, Pike made Andromeda a formidable heroine.

Toby Kebbell was fun as Agenor, the son of Poseidon and Perseus’ sidekick, but unfortunately the role seemed underwritten.  He should have had sharper dialogue or something.

LS: Agenor is just a lame character. I hated him.

Oh, and I also liked Edgar Ramirez as Ares. I thought he did a good job.

MA: Dan Mazeau and David Johnson wrote the average ho-hum screenplay, which is a little bit of a surprise, since Johnson wrote the screenplay for ORPHAN (2009) and RED RIDING HOOD (2011), two movies I liked a lot.  This one just plays like a sequel.  The story was just there and the characters rather blah.

Director Jonathan Liebesman also directed BATTLE LOS ANGELES (2011), and the two movies share a similar style and pace.  Like BATTLE, the action scenes in WRATH are slick, well done, and entertaining, but aside from that, there’s not a lot to them.  There’s very little story or character development.

WRATH OF THE TITANS was also in 3D, and the 3D wasn’t bad.  It looked a heck of a lot better than the 3D in CLASH OF THE TITANS, which isn’t saying much because I remember the 3D in that one being awful.

LS: It’s funny. CLASH was hindered by the fact that the 3D effects were added after the movie was completed, creating a kind of flat, muddy look to the effects. WRATH was made with 3D in mind from the start, and while this movie isn’t as muddy, it’s also not much of an improvement. And a big part of that is the story. It’s just not very good. The same thing was true about the first one. And I don’t think 3D helps make these movies any better.

MA: There’s also a good music score by Javier Navarrete.

WRATH OF THE TITANS is faster and flashier than CLASH, and as such it’s an easy film to watch, and it has some fun exciting moments featuring some cool-looking monsters, so if that’s all you’re looking for, you won’t be disappointed.  If you’re looking for more, a movie with a good story and memorable characters, keep looking.

LS: I think the first one was bad. I think this one is almost just as bad. I’d say avoid them both. Is there a way to make a movie about Greek mythology that’s better? Sure there is! Check out JASON AND THE ARGONAUTS (1963), with effects by the legendary Ray Harryhausen (who we mentioned before), to see it done right. I also liked Tarsem Singh’s movie from last year, IMMORTALS, a lot more than either of the TITANS movies.

MA: I for one didn’t mind the shallow fun of WRATH OF THE TITANS.  It would have been nice had the film been more ambitious, but it’s not.  It is what it is, a sequel.

I give it two and a half knives.

LS: I give it one and a half knives. I just didn’t care about it. Wait for it to come on cable.

(Argument at the other table grows even more heated)

LS: In fact, I would rather watch the argument over there than another TITANS movie.

MA: Well, it’s certainly more colorful.

(ZEUS and HADES are having a fist fight on top of the dining table, as the other gods cheer them on).

POSEIDON (looking at camera):  Can’t we just all get along?

—END—

© Copyright 2012 by Michael Arruda and L.L. Soares

Michael Arruda gives WRATH OF THE TITANS ~ two and a half knives!

LL Soares gives WRATH OF THE TITANS~one and a half knives.

CLASH OF THE TITANS!

Posted in 2010, Cinema Knife Fights, Fantasy Films, Monsters, Remakes with tags , , , , , , on April 5, 2010 by knifefighter

CINEMA KNIFE FIGHT: CLASH OF THE TITANS (2010)
by Michael Arruda and L.L. Soares

(THE SCENE: a beach. A beautiful young BLONDE is tied to a stake. Surrounding her are fifty or so soldiers, dressed in ancient Greek military garb. Their burly, bearded KING steps forward.)

KING (roars): Release the Kraken!

(Cue dramatic music. The sea rumbles, everyone looks with anticipation, and from under the water emerges a giant— cracker monster. Its body is rectangular like a Saltine, and its eyes are olives, its nose pimento, its mouth a piece of cheese, and its face is dotted with poppy seeds.)

KING (rolls eyes): I said “Kraken!” not “Kracker!” That’s it! I’m sick of this happening all the time! I quit!

(The crowd dissipates amidst a chorus of boos, leaving the BLONDE tied to the stake, along with MICHAEL ARRUDA and L.L. SOARES, who had been among the throng.)

MA: Weren’t we just here for our “April Coming Attractions” column?

LS: It just goes to show you that sometimes, even the second time, things don’t work out.

MA: Yes, sometimes you just have to try and try again. Not that I’d want to see CLASH OF THE TITANS remade yet again. I don’t think its story is strong enough to warrant that.

LS: Actually, that was kinda cool.

MA The CLASH OF THE TITANS remake?

LS: No, that cracker monster. He lives underwater, but didn’t look soggy at all!!

MA: Well, let’s get down to it. CLASH OF THE TITANS (2010) is a remake of the 1981 Ray Harryhausen movie of the same name.

LS: Actually, the 1981 movie was directed by Desmond Davis. Harryhausen only directed the stop-motion special effects.

MA: Big friggin deal! I mean, who out there knows Desmond Davis? No offense, to Mr. Davis, but Ray Harryhausen is a household name and the reason movies he worked on are still watched today, not the directors.

LS: Calm down. You don’t need to get so worked up about it.

MA: I’m just sayin.  But back to the new movie. Once again, it tells the story of Perseus (Sam Worthington) a half-human son of Zeus (Liam Neeson) and a human woman, who needs to fulfill his destiny by defeating the mighty monster, the Kraken. In this one, at least, Perseus has more motivation. He’s angry at the gods because they’re responsible for the death of his human family, whereas in the original, “fulfilling his destiny” sort of meant meandering around the countryside until he found something worthy to do, in that case saving the princess Andromeda.

Andromeda (Alexa Davalos) is here again too, sentenced to be sacrificed to the Kraken. You see, her parents insulted the gods by declaring they and their people could do without them, and that their daughter Andromeda was better looking than any of them.

LS: She ain’t so great!

MA: Evidently these people hadn’t read their Greek myths, or they would have known Greek gods don’t like to be insulted.

Zeus agrees to let his evil brother Hades (Ralph Fiennes) have his way with these people, and so Hades gives them a choice: sacrifice Andromeda, or have the Kraken destroy their entire kingdom.

LS: Was it just me, or did Neeson and Fiennes look an awful lot alike? I thought it was the same actor at first – Neeson playing both roles. The duality of good and evil. Not that Zeus is all that good. But it took me awhile for it to sink in – this isn’t Neeson, it’s good old Ralph Fiennes!” They must have had the same barber. I don’t remember any confusion like that when Laurence Olivier played Zeus.

MA: That’s because Hades wasn’t in the original movie. But you must have had some fingerprints on your 3D glasses; I didn’t think they looked alike.

As fate would have it, Hades is also the god responsible for the death of Perseus’ family- back before he found out he was really the son of Zeus – and so he is more than willing to take up the challenge of saving the princess and killing the Kraken, all in an effort to eventually get to Hades and kill him too. But can you kill a god?

LS: I’m not sure, but it sounds like it would be fun to try!

MA: Perseus and his band of merry soldiers travel to the far ends of the earth to kill Medusa so they can use her head to turn the Kraken into stone. I wonder why Perseus didn’t decide just to use the head on Hades? It would have saved him a lot of extra work and trouble.

LS: I think they explained this. Hades, as a god, can’t be killed by a human – or even a demigod like Perseus, at full power. However, when he expends tons of energy to revive the Kraken, he’s much more vulnerable – that’s when you strike. If only Perseus had two heads, one for Hades, and one of the Kraken. That might work.

MA: Yes, two heads are better than one. Anyway, CLASH OF THE TITANS was shot in 3D, and I have to say, as much as I was impressed with the 3D effects in AVATAR, I was just as unimpressed with the 3D effects here. First and foremost, the neat depth- perception that permeated AVATAR is practically nonexistent here. Throughout most of this movie, I barely noticed I was watching 3D.

LS: Oh, the 3D here was HORRIBLE. I really felt cheated – especially now that, since AVATAR made 3D the new big thing, theater chains have decided to exploit it and up the price of tickets to 3D movies. Instead of $11.50, I got screwed out of $16.50 for this one (and they have the nerve to ask you to recycle the glasses afterwards!). Man, did that tick me off. I was soooo tempted to go to a rare 2D screening to save the cash. But I thought our audience deserved a review of the full treatment

And, for the record, it wasn’t shot in 3D originally.

MA: Yes, I read that the 3D effects were added almost as an afterthought to this movie, and it shows. It looks like when this movie was filmed, no thought at all had gone into it being shot in 3D. And the effects didn’t enhance the action sequences. I had a real problem with the action sequences even without the 3D. They were shot at close range and at such a quick pace that they were difficult to see. As a result, they were hardly enjoyable.

Director Louis Leterrier, who directed THE INCREDIBLE HULK (2008), a movie I really liked, dropped the ball on this one, I think. In THE INCREDIBLE HULK, he had crafted some memorable scenes, especially the action sequences. I thought the action sequences here were a major letdown.

LS: I liked that version of THE INCREDIBLE HULK, too, even if it was by-the-numbers at times. This movie has its moments, too, but yep, it’s a letdown overall.

MA: For the most part, CLASH OF THE TITANS remains faithful to the Ray Harryhausen version. There are some changes here and there, some that work and some that don’t.

One that does work is the script by Travis Beacham and Phil Hay. I thought the character of Perseus was much more interesting and motivated in this movie than he was in the 1981 film.

LS: Yeah, I thought the story was a little bit better this time – but it’s a weak plot, and the only reason it exists at all is to give us something to think about in between the fights with monsters. Of which, there are too few in this movie.

MA: The supporting soldier characters were also more memorable here than in the 1981 movie, in which they were pretty bland. Here, there are some memorable personalities.

LS: Yeah. Especially Mads Mikkelsen as Draco, the guy who used to be the best soldier in Argos. He’s jealous that Perseus is getting all the attention, and there’s an intense rivalry there that eventually turns into a bond of mutual respect.

MA: Definitely, Mads Mikkelsen as Draco is easily one of the best performances in the movie. You might remember Mikkelsen in the Daniel Craig Bond flick CASINO ROYALE (2006) as the card playing villain “Le Chiffre.” He was great in that movie, too. I like Mikkelsen a lot, and I thought his presence here was one of the best parts of CLASH OF THE TITANS.

There’s another Bond connection to this movie as well. Gemma Arterton, who plays an immortal character name “lo” appeared in the second Daniel Craig Bond film QUANTUM OF SOLACE (2008). I thought Arteton was excellent here, too, and I’d have to say that I liked her and Mikkelsen better than Sam Worthington in this movie.

LS: I was wondering where I’d seen Arterton before, since I’m not a big Bond fan and didn’t see QUANTAM OF SOLACE (which I still say is a dumb title!). I’d actually seen her before in the PBS “Masterpiece Theater” version of TESS OF THE D’URBERVILLES, strangely enough, and I thought she was great in that as Tess, and quite striking. Here, I thought she was the best thing in the movie, too, and much more beautiful than the much- praised Andromeda!

MA: The whole cast is very good. Sam Worthington as Perseus was enjoyable. He makes for a likeable action star and probably could make a career doing this sort of thing if he chose to. That being said, of his three recent acting performances, I liked him the least here. He was much more memorable in both AVATAR and TERMINATOR: SALVATION.

LS: I agree. I thought he was very good here, but CLASH is a mediocre film. I actually thought I liked him best in TERMINATOR:SALVATION, because that was a BAD film, and yet he stood out as the only thing good about it.

Notice how Worthington’s Perseus here flies around on a flying horse, the legendary Pegasus, which “no man has ever ridden?” It reminded me an awful lot of how Worthington’s character tamed the flying dragon-like creature in AVATAR. I think he’s starting to repeat himself.

But at least Worthington actually looks like a hero, unlike Harry Hamlin in the original. He looked like a soap star slumming in a kids’ movie!

MA: Liam Neeson is OK as Zeus, but it’s kind of a thankless role, as all he gets to do is look majestic and shout nasty orders like “Release the Kraken!” and “Crush the humans!” Much more disappointing is Ralph Fiennes as Hades. Fiennes is an excellent actor, and he’s completely wasted here. He must have needed some extra cash or something. I can’t figure why he’d accept this role. Hades could have been, and should have been, a real nasty baddie. Instead, he looks like he a reject from the HARRY POTTER series.

LS: You’re right, Fiennes deserves much better than this and the HARRY POTTER movies. So does Neeson. They’re better than their lame roles.

MA: It was also good to see Pete Postlethwaite on hand as Perseus’ human father

LS: Oh, he’s always good to see. And keep your eye out for a blink-and-you’ll-miss-it cameo by the goofy robotic owl from the original CLASH OF THE TITANS. That’s actually pretty funny.

But you’re right, the casting was very good. I also like the two guys who join Perseus’s pack later on – they’re professional monster killers or something, and I didn’t catch their names – but they added some comic relief to the story. I wanted to see more of them.

MA: I liked them, too.  The heroes definitely fared better in this one than the villains, which I found boring. In the 1981 version, Calibos was a memorable villain and a strong presence. His role in this one is seriously reduced, and his portrayal by Jason Flemyng is no more memorable than Fiennes as Hades. If your villain isn’t strong, usually your movie isn’t either.

LS: I liked the disfigured, monstrous Calibos in this version (although I liked Harryhausen’s version better). They didn’t give him a lot to do, but he was more interesting than the gods.

MA: I thought CLASH OF THE TITANS began very slowly, and for a while I kept hoping something would happen. To me, the movie got better when it reached the scene with the giant scorpions.

LS: Not just to you. To the whole audience! This movie starts out very slow, setting up its storyline, and you keep wondering, WHERE THE HELL ARE THE MONSTERS? So yeah, it doesn’t hit its stride until the scorpions.

MA: I thought this was one scene that improved on the original, as it was very exciting and was probably my favorite action sequence of the film. However, even this scene had drawbacks, as the scorpions looked fake and weren’t that convincing.

LS: Sometimes they looked good, and sometimes they didn’t. But they moved around so fast during the battle scenes, you couldn’t really tell most of the time. I guess the fact that it was hard to see made you think they looked better than they did. The bad 3D didn’t help.

MA: While there are many who might say modern CGI effects are an improvement over the stop-motion animation effects by Ray Harryhausen, I say it depends on the movie. I have no problem with the Harryhausen style of special effects, and I’m sure if he were making movies today, he’d be able to make stuff that would satisfy modern audiences. CGI is just so inconsistent. Here, in this CLASH OF THE TITANS, I thought the effects were fair at best.

LS: Well, I’m a big Ray Harryhausen fan and I figured I’d just hate this movie’s effects completely. The strange thing is, overall, I didn’t mind them. This was one rare time where the CGI effects didn’t distract me from the story, and I didn’t mind them that much. Not the best I’ve ever seen, but workable. There was no way they were going to capture the fun of Harryhausen’s stop-motion style. And I’m glad they didn’t even try to.

MA: The Medusa scene here was pretty good, but it was the best sequence in the original film, and so I can’t say that this scene was an improvement. They were about the same.

LS: Yeah, I agree.

MA: And though I thought the Kraken looked more fearsome here, once again, he’s reduced to a brief scene, and that’s about it. So, he’s hardly worth getting excited about.

LS: I actually thought the Kraken in this one was terrific! The best thing in the movie, aside from Gemma Arterton, for me. And I loved the way Andromeda was suspended from ropes, waiting to be sacrificed. It reminded me a lot of KING KONG as the monster approached, with a little Lovecraft thrown in with those massive tentacles.

MA: Yeah, I would agree with you on these points. My beef with the new Kraken is he’s in the film so little.

LS: I wanted more of him, too!

MA: The bizarre desert/sand people/creatures, I thought, were really cool, and I really liked them. They didn’t appear in the original, and if I had to note one major improvement over the 1981 movie, I’d go with these creatures. They were fun to watch.

LS: They were called the Djinn – as in genies. I guess that is why they were able to perform some magic in the film (though not enough!). To me, they looked like they really belonged in a STAR WARS movie, for some reason. And I was disappointed to find out that that they used the giant scorpions as trained animals. Kind of took away their sense of danger that we got in the battle scene earlier.

MA: But as a whole package, I found CLASH OF THE TITANS mediocre, and certainly not worth the extra cost of seeing it in 3D. This could have been a powerful movie. It was loaded with strong actors, and its script wasn’t so bad, but it only boasted fair special effects, and I thought the direction was muddled and surprisingly poor. In short, there’s nothing really special about CLASH OF THE TITANS to lift it above the pack.

I was never a huge fan of the Ray Harryhausen original either, and it might be that the story itself isn’t that exciting. CLASH OF THE TITANS isn’t much of a clash, and as a result, I say skip this one until you’ve got nothing better to do.

LS: And it certainly is NOT worth the extra five bucks for the 3D glasses.

MA: Nope.

LS: Well, that’s it for this week.

BLONDE TIED TO STAKE: What about me, huh? I’ve been tied here the whole time, listening to you two go on and on about a movie. How about letting me go?

LS: Sorry, toots. We’re finished here. We’ve gotta move on.

MA: Sorry. I wish I could help you.

(LS and MA run toward the other end of the beach, where a bunch of bikini babes are playing volleyball)

GIRL TIED TO STAKE (screaming): DAMMMMMIT!

-END-

© Copyright 2010 by Michael Arruda and L.L. Soares

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